Mario Tauchi Exhibition
Biomimicry

Mario Tauchi Exhibition

Mario Tauchi

2025.05.17 [Sat] - 09.30 [Thu]

table of contents

  • STATEME NT by Mario Tauchi

Project Concept

Title

Mario Tauchi has lived in Japan, France, Australia, and the United States, where he has worked as a translation and copyright agent, and has been greatly influenced by religious art, street art, tribal art, psychedelic art, etc. His gaze is directed towards the origin of life, and he has created unique works that base his art on the diverse organic shapes found in nature, such as the spherical, spiral, thread-like, and rod-like shapes of fungi.
The title of this exhibition, "Biommicry," refers to learning from and imitating the ecology and mechanisms of living organisms in nature and applying this to technology and design, and is an important theme that is central to Tauchi's unique art creation.

Mario Tauchi Authentic 2025 A

STATEMENT by Mario Tauchi

Title

Biomimicry

Is this really natural? Is there something unnatural about it? We ask ourselves these questions when we sense something strange about the events in front of us, our own words, or our attitude.
Sometimes you can immediately identify the cause of the discomfort, but more often than not, you can't figure it out with just a little thought. And then you just forget about it.
I know from experience that ignoring your discomfort will lead to regret. Difficulty and irreversible situations are sure to await you.

That unnatural feeling is an alert. It's a premonition.

An old poet who lives in the mountains came into town and lamented that the view from his hotel window was full of straight lines. He said that the things he saw in the fields and mountains had freer, more unique shapes. Like Prometheus' fire, straight lines have also been a boon to mankind. They are easy to handle and efficient, making standardization and mass production possible. But the man made a prophetic statement that if they are used incorrectly, disaster will come to light.

Modern humans first appeared 200,000 years ago. After an incredibly long time, civilization emerged in what is now the Middle East 5,000 years ago. 500 years ago, the Age of Discovery and the Protestant Reformation began, and around 250 years ago, the Industrial Revolution and political revolution occurred. 5,000 years ago, the human population was only 19 million. 2,000 years ago, the population grew to 230 million, 1,000 million 1,000 million 500 years ago, 1 billion 200 years ago, over 1.5 billion 100 years ago, 6 billion 25 years ago, and now 8 billion.

It is said that the first life appeared on Earth 3.8 billion years ago. More than 99 percent of the species that have ever appeared no longer exist. In other words, extinction is also a natural law. Human beings are no exception.
There are countless forms of life that have far outnumbered and existed for longer than humans. Fungi, plants, marine life, and insects, in particular, have lived on this planet while contributing to its ecosystem (can we even say that humans are contributing to the ecosystem?). They have biomechanisms that do not use fire or straight lines, and they are now attracting renewed attention. This is because there are things that humanity, which has neglected to coexist with other life forms and other people, can learn from them.

I try to imitate organic forms (with my own uncertain interpretation) with the idea that art should not only focus on humans. However, I am also human, so I am interested in humans. If the systems and order of human society have been created by firepower and linear thinking, is it possible that something has been overlooked as a result?

May 2025 Mario Tauchi

Artist introduction

Title

Mario Tauchi

Born in Higashimatsuyama, Saitama Prefecture in 1973. Graduated from Temple University, College of Liberal Arts, Department of English Literature.
While living in Paris, Melbourne, and Philadelphia, he became interested in pictorial expression such as fine art, tribal art, and street art.
In 2001, while working as a copyright agent for translation publishing, the September 11 terrorist attacks in the United States prompted him to start painting and began working both domestically and internationally.
He was in charge of the mural project for the "LOVE POP! Keith Haring Exhibition - Art is for Everyone" (Itami City Museum of Art, 2012), and has held solo exhibitions at HACO NYC (2019) and CADAN Yurakucho (2022), among others.
In 2021, he participated in the activities of Revolú Gallery, an art collective established in New York.

MORE VIEW

ARTWORKS

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